Over time, my creative practice has evolved beyond design and visual communication into a deeper exploration of people, culture, and human connection. What began as a passion for creativity gradually expanded into interests in ethical fashion, education, creative facilitation, art therapy, and artistic expression.
Today, I see creativity not only as a tool for communication, but also as a way to share, connect, care, and make sense of the world around us. Through art, workshops, and personal artistic practice, I continue to explore how imagination can foster dialogue, awareness, and meaningful experiences.
Art as Mediation
What began as a photography workshop in 2018 quickly revealed something deeper: creativity is not only a means of expression, but also a powerful tool for connection, reflection, and personal growth. Since then, I have developed and facilitated more than a hundred creative workshops with children, teenagers, adults, and vulnerable populations across educational, healthcare, and community settings.
Trained in Art and Therapeutic Mediation at Université Paris Cité, my practice combines artistic exploration, active listening, and a human-centered approach. Today, this work also informs my research interests, exploring the links between creativity, cognition, well-being, and the ways we adapt creative experiences to individual needs.
Fine Art
Since 2020, my artistic practice has shifted profoundly, moving away from applied arts toward a more personal and intuitive form of expression.
Having explored music, writing, and graphic arts—later developed professionally as an art director—I felt the need to return to a more direct, essential creative gesture.
Painting became that space: a more physical, sensory, and engaged way of expressing what words and design could no longer contain.
This transition marked a break from communication-based work toward a practice rooted in feeling, perception, and reflection on the world.
My process is increasingly empirical and almost bodily, where gesture and material take precedence over concept.
I began working intensively in painting, often on large-scale canvases that can exceed two meters in height.
The larger the format, the more it allows me to fully inhabit the space of expression.
Fashion for change
After more than a decade working in the fashion and luxury industries, I became increasingly interested in the social, cultural, and environmental questions shaping the future of fashion. Beyond trends and aesthetics, fashion reflects the values, aspirations, and transformations of the societies that create it.
Through conferences, interviews, and encounters with entrepreneurs, designers, and innovators, I explored the emergence of more responsible approaches to production, materials, and circular economy. These conversations revealed a shared ambition: rethinking fashion not only as an industry, but as a space for creativity, innovation, and positive change.
